Entertainment

The Future of 'Dune' Lies in the Past

'Silo' Season 2 Has Twice the Story and Twice the Silos

“He Tears His Own Heart Out”: How Oz Cobb Finally Became “The Penguin”

“I've Never Read Any Script Like This.”

'Heretic's Directors Reveal They Wrote a Sequel to 'The Thing'

How Sam Raimi Produced the Best Scary Movie of This Halloween Season

Kelly Marcel’s Last Dance

How John Wick Defied the Odds, Saved Keanu Reeves’ Career, and Changed Hollywood Forever

'Venom 3' Director Reveals How They Cast the Movie’s Mysterious New Villain

'Happy Death Day 3' May Never Come Out — But There's a Silver Lining

Frank Miller and Zack Snyder Talk Comics, Mythology, and Breaking Superhero Canon

How Christopher Reeve Rediscovered His Love of Superman

How The Penguin Became a Secret “Buddy-Cop Comedy”

Sam Mendes on Returning to James Bond: “Never Say Never”

“It’s All Starting to Unravel.”

“It Explodes in the Face of the Audience.” 'The Substance' Director Breaks Down Its Gory Ending

'Red One' Isn’t the Lump of Coal You Think It Is

'My Old Ass' is a Time Travel Romp With its Heart on its Sleeve

'Dune: Prophecy' is a Divine Dud

'Gladiator II' is an Angrier, More Vicious Version of 'Gladiator'

'Arcane' Season 2 Isn’t Going Down Without a Fight

'Meanwhile on Earth' Injects Newfound Dread Into the Alien Invasion Movie

Hugh Grant Layers 'Heretic' With Devious Intensity

'Juror No. 2' is Clint Eastwood’s Best Film in Years — Why is It Being Buried?

'Silo' Season 2 Brings the Series to New, Wildly Ambitious Heights

'Time Cut' Takes a Subversive Blade to the Time-Travel Thriller

'Like a Dragon: Yakuza' Keeps the Good Video Game Adaptation Trend Going

'Star Trek: Lower Decks' Makes Its Victory Lap

'Venom: The Last Dance' Loses Sight of the Franchise’s Greatest Strength

'What We Do in the Shadows' Makes a Gloriously Goofy Final Bow

'Woman of the Hour' is a Deceptively Chilling Takedown of True Crime

'Teacup' Is an Understated Horror With Nothing New to Say