“This is a kind of Renaissance period right now, where people are jumping in and finally dumping money into the marketplace, so that NFTs have a real cachet and institutional power.”

“I'm all about the future, so I had to have [one with] a cyberpunk kind of feel. It’s sci-fi — you’re playing this video game from the past, but it’s in the future, and you’re connected to the neural link. You just feel like you’re stepping directly into the game.”

“Once I saw the anime heads, I knew this was gonna be part of the collection. I was already a fan of KYT as well. I just really love this soft feel of this piece and the anime faces are just changing and morphing and bringing new experiences. And the colors are absolutely incredible.”

“I love that Fragments: Dreams of Color is centered on the brain — I’m a big brain person. There’s this kind of beam coming out from the center and it’s moving with the music. The music is classical, so it makes you kind of gaze right back into it and stay in this hypnotic trance.”

“I’ve worked with Godzilla in the past, so I knew I wanted to work on this particular piece — it’s called Serendipity for a reason. There’s this connection, this relationship, between two contrasting images, and I wanted [my] music to reflect that it’s kind of romantic. I didn’t stop until I really felt the tingles down my arms and was like, ‘Okay, I finally got there.’”